"Hangmen" delayed for Broadway; "The Prom" booked the Cort Theatre; Duncan Sheik and Sara Bareilles collaborating on a new "Alice in Wonderland" musical; MCC Theater announces "Collective Rage: A Play in 5 Betties"; Nathan Lane teases  "Death of a Salesman" revival with Laurie Metcalf; Marilu Henner joins "Gettin' the Band Back Together"; Ben Crawford is the next Phantom; tragedy strikes the community as  Tony winner Ruthie Ann Miles is seriously injured and her young daughter killed in a traffic accident; controversy roils "Rocktopia" as it is criticized by Actor's Equity for failing to provide union commensurate wages for its chorus

REVIEW: At last, “Jerry Springer—The Opera”

After a 15 year wait, “Jerry Springer—The Opera” has finally arrived in New York in a spectacular and profane production with an excellent cast headed by Terence Mann; unfortunately, the shock value is low and the vulgarity gratuitous, and mostly humorless.  The show’s value lies in its role as mirror to our society, but that point remains too understated and insufficiently explored to make a lasting impact.

REVIEW: TACT’s charming “Three Wise Guys”

“Three Wise Guys” is a charming new comedy based on Prohibition-era short stories by Damon Runyon, featuring a lovable cast of thieves, bootleggers, socialites, and chorus gals on a zany, Christmas Eve romp.  Cleverly designed, it offers light, low-budget, fun fare guaranteed to deliver laughs, smiles, and a carefree chance to escape for a little while.

Broadway did well at the Oscars last night; Broadway's last gossip columnist, Michael Riedel, has left the New York Post; Tatiana Maslany and Blair Brown will star in Tracy Letts' new play "Mary Page Marlowe";  Tony Shalhoub is out of "The Bands Visit" until May; "The Fantasticks" composer Harvey Schmidt is dead at 88

REVIEW: “Amy and the Orphans”

“Amy and the Orphans”, a new comedy by Lindsey Ferrentino based on her family, both features a title character and stars an actor with Down syndrome, an important milestone in New York theatre.  The play, which examines the relationships among three disparate, adult siblings and explores the meaning of “family” and “home”, is stunted and static in character and plot development.  I sense the playwright is too close to the material.

Second Stage's "Torch Song" is headed to Broadway in the fall; Gavin Creel out of "Hello, Dolly!" until May - Santino Fontana steps in March 13th; NBC's "Jesus Christ Superstar" telecast announces full cast; the Parkland shooting survivors behind #NeverAgain are drama kids