All tagged Ivo van Hove
On this week’s show, Jamie and Rob take a deep dive into one of their favorite musicals: “West Side Story”. After exploring the fascinating story behind the creation of this landmark classic musical, they chat with Belgian director Ivo van Hove about his re-imagined 2020 Broadway production. Then, they moderate an exclusive discussion with Broadway legend Carol Lawrence and Broadway’s latest sensation Shereen Pimentel—the original and current Maria in conversation across 63 years!
Belgian auteur Ivo van Hove presents a reimagined version of “West Side Story” for the 21st Century; employing his signature style of theatremaking, this production is thrilling and revelatory, breathing new life into a beloved classic with new choreography, precision cuts to the text, new orchestrations, a superb ensemble cast, and groundbreaking use of video and live filmmaking. The result marks a true summit of achievement in theatre-making and a highlight in a lifetime of theatergoing. It demands to be seen.
With the concept of “winter” an increasing memory, here is overview of all that’s coming to New York stages this spring!
As we begin a new decade, I look back at my past decade of theatre-going and pick my top 10 favorite plays and musicals.
Ephraim Sykes will star as Michael Jackson in "MJ" the musical on Broadway; Martin McDonagh's "Hangmen" will play a limited engagement at Broadway's Golden Theatre; "Tootsie" will close on January 5th; "Hadestown" recoups; Imelda Staunton will star in "Hello, Dolly!" on the West End; Dominic Cooke will direct “Follies” film; The Drama Book Shop will reopen in a new location in 2020; RIP Laurel Griggs
The city that never sleeps also boasts a theatre scene that never sleeps. With the summer now behind us, this is an overview of all that’s coming to New York stages this fall (spoiler alert: it’s a lot).
"Flying Over Sunset", "The Lightning Thief: the Percy Jackson Musical", "How I Learned to Drive", "A Soldier's Play", "Caroline, or Change", "Slava's Snowshow", "A Christmas Carol", and "Diana" announce Broadway runs; "Harmony" and "Forbidden Broadway" announce Off-Broadway runs; Gideon Glick to step into “Little Shop of Horrors” for Jonathan Groff; film of "Everybody's Talking About Jamie" will be released in October 2020; "What the Constitution Means to Me" filmed for future release ; RIP Bob Ullman
"Frankie and Johnny" closing a month early; "Beautiful" will close on October 27th and "Waitress" will close on January 5th; Jeremy O. Harris' "Slave Play" will play a 17 week run at the Golden Theatre; Robert Schenkkan's "The Great Society" will play a 12 week run at Broadway's Vivian Beaumont Theatre; starry productions of "Little Shop of Horrors" slated for Off-Broadway and Pasadena Playhouse; cast announced for Ivo van Hove's upcoming "West Side Story"; "Fairview" extends to August 11th; "What the Constitution Means to Me" recoups; Jack Viertel will retire as artistic director of the annual Encores! at City Center; Paul McCartney has written a musical adaptation of "It's a Wonderful Life"; RIPHugh Southern, former executive director of TDF and co-conceiver of the TKTS booth in 1973
On my recent trip to London, I caught six shows—a mix of musicals and plays, both new and in revival. Here I offer a roundup “look left” at “9 to 5”, “All About Eve”, “The American Clock”, “Follies”, “Six”, and “Tartuffe”.
By my count, I’ve attended 246 performances of theatre, dance, music, opera, and cabaret during 2018. Out of a field that large, it’s hard to pick just ten, but nevertheless, here are my top ten favorite shows I saw in New York (including no new musicals and only three Broadway shows!).
Ivo van Hove brings his signature style to an intense and intelligent stage production of Paddy Chayefsky’s prophetic 1976 film “Network”. An easy highlight of the Broadway season, Bryan Cranston gives a Tony Award-worthy performance as news anchor Howard Beale’s descent into a rage-filled demagogue. The message is the medium, and vice versa, in this technically brilliant and thrilling new drama.
Director Daniel Fish delivers a glorious and terrifying production of Rodgers and Hammerstein’s groundbreaking 1943 musical “Oklahoma!” at St. Ann’s Warehouse in Brooklyn, completely deconstructing this canonical and totemic masterpiece of American musical theatre by stripping it of its corn and highlighting the darker themes of violence and injustice that have always been simmering underneath. Sexually charged and presented with a striking naturalism, this masterful new production is a revelation.
