All tagged Rachel Chavkin
For their first “quarantine edition” episode, Jamie, Rob, and Jennifer chat remotely with Tony Award-winning director Rachel Chavkin. As we navigate through this difficult moment, Rachel reflects on what artists can do to help, talks about her latest work, and shares information on some organizations that are doing great things to support artists, theater-makers, and just about everyone else.
By my count, I’ve attended 234 performances of theatre, dance, music, opera, and cabaret during 2019. Out of a field that large, it’s hard to pick just ten, but nevertheless, here are my top ten (ok, eleven) favorite shows I saw in 2019.
A roundup look at three plays that recently opened at three of Off-Broadway’s best non-profit theatre companies: “Continuity” at Manhattan Theatre Club, “Dying City” at Second Stage Theater, and “Nomad Motel” at Atlantic Theater Company.
Breathtaking and exquisitely crafted, “Hadestown” is easily the most tautly constructed and beautifully realized musical on this side of “Hamilton”—a riveting, heart-wrenching, and sumptuous folk opera that vibrantly renders some of mankind’s oldest and most enduring myths as an epic and compelling piece of modern musical theatre. This musical triumph is a must-see.
On my recent trip to London, I caught six shows—a mix of musicals and plays, both new and in revival. Here I offer a roundup “look left” at “9 to 5”, “All About Eve”, “The American Clock”, “Follies”, “Six”, and “Tartuffe”.
In the second edition of “Look Left”, I offer roundup reviews of “Company”, “Dreamgirls”, and “Hadestown” playing in London.
“Natasha, Pierre & The Great Comet of 1812”—a musicalized 70 page excerpt from Tolstoy’s “War in Peace”—plays its final performance on Broadway today. “Comet” was not my favorite show, but I can’t help but feel sad about its sudden demise.
