With the concept of “winter” an increasing memory, here is overview of all that’s coming to New York stages this spring!
All tagged Steven Pasquale
"Beetlejuice" to close June 6th, making way for "The Music Man"; "Is This A Room" returns to the Vineyard Theatre; Red Bucket Follies raised $5.6M for BC/EFA; Chip Zien, Caissie Levy, John Cariani, and more join Sharon D. Clarke in "Caroline, or Change"; Adam Chanler-Berat, Tavi Gevinson, and Andy Grotelueschen join Judy Kuhn, Steven Pasquale, Will Swenson, Wesley Taylor, and Brandon Uranowitz in Classic Stage Company’s “Assassins”; "Slave Play" pioneers new ticket gifting program; "Little Shop of Horrors" will record a cast album; Rashidra Scott rounds out the principal cast of "Company"; Tony Goldwyn to step into "The Inheritance"; Samantha Barks to star in London bow of "Frozen"; RIP René Auberjonois, Ron Leibman, Danny Aiello, Richard Easton, and William Luce
REVIEW: Kerry Washington in “American Son”
“American Son”, a gripping new play on Broadway, is piercingly of the moment, thunderously bleak, written in all caps, and indulgently depressing. Kerry Washington gives a devastating performance as a black mother living the nightmare of her son interacting with the police, but blunt writing provides shorthanded dialogue and characterizations that are unrealistic and convenient—tooled for the sake of advancing arguments, and provoking the audience, rather effectively serving a coherent social or political mission.
2018-2019 Broadway season preview; new plays "The Lifespan of a Fact" and "American Son" announced for the fall; long-planned renovation of the Palace Theatre/hotel complex threatens to shudder "SpongeBob SquarePants"; Natalie Walker ranks all 41 Broadway theatres; Public Theater announces 2018-2019 season; MCC Theater moves to midtown in November; “Carousel” cast recording released
REVIEW: “Junk”—Ayad Akhtar’s Financial Thriller
“Junk” is a fast paced, financial thriller set in the 1980s that explores how our debt-laden, wealth-obsessed society came to be. There are no heroes and no hope to be found in this excellent new play by Ayad Akhtar (“Disgraced”), only a cautionary tale whose lesson it is too late to learn.