All tagged York Theatre Company

"Company" on Broadway will star Katrina Lenk as a female Bobbie and Patti LuPone as Joanne; Richard Linklater will make a movie adaption of "Merrily We Roll Along" filmed in real time over the next 20 years; "The Lehman Trilogy" books Broadway’s Nederlander Theatre; Tony Award winners Jayne Houdyshell, Jefferson Mays, Shuler Hensley, and Marie Mullen join the Fall 2020 revival of "The Music Man"; Solea Pfeiffer and Maia Reficco will share the title role in "Evita" at New York City Center; Rob McClure will star in the world premiere of "Mrs. Doubtfire" the musical in Seattle; Ryan Murphy is developing a ten-part Netflix adaptation of "A Chorus Line"; Tony Award winner André de Shields will receive the York Theatre Company's Oscar Hammerstein Award for lifetime achievement; RIP: Isabel Toledo, Valerie Harper, and Ken LeRoy

REVIEW: York Theatre revives “Enter Laughing”—a musical comedy gem

The York Theatre Company presents a top-notch revival of “Enter Laughing: The Musical” that is easily among the best musicals to have played New York all year.  A tuneful 1930s period piece about a girl-crazy boy from the Bronx taking his first, comically misadventurous steps into the world of theatre, this once-forgotten gem is sure to have you exit laughing, and remembering why you love musicals.

FEATURE: Top 10 Shows of 2018

By my count, I’ve attended 246 performances of theatre, dance, music, opera, and cabaret during 2018.  Out of a field that large, it’s hard to pick just ten, but nevertheless, here are my top ten favorite shows I saw in New York (including no new musicals and only three Broadway shows!).

REVIEW: “Unexpected Joy”

“Unexpected Joy”, a new musical at the York Theatre Company, contains several unexpected joys: a groovy, folk rock score, an intriguing original story mining contemporary themes, and a quartet of strong female vocal performances; and some unfortunate faults: a script and direction lacking dynamism, stereotypical characters and sitcom-deep dialogue, and a pat ending.  The whole show feels dated and unrealistic, with an “agree to disagree” closing message about LGBT equality that I found troubling.