As we get closer to the 73rd Annual Tony Awards (Sunday, June 9th on CBS starting at 8pm ET), this is my take on what and who “should win” versus what and who “will win”, along with some short thoughts and analysis. What do you think?
REVIEW: York Theatre revives “Enter Laughing”—a musical comedy gem
The York Theatre Company presents a top-notch revival of “Enter Laughing: The Musical” that is easily among the best musicals to have played New York all year. A tuneful 1930s period piece about a girl-crazy boy from the Bronx taking his first, comically misadventurous steps into the world of theatre, this once-forgotten gem is sure to have you exit laughing, and remembering why you love musicals.
NOTES: “Reich Richter Pärt” and Björk’s “Cornucopia” at The Shed
The Shed, New York’s newest cultural institution and a crown jewel of the controversial Hudson Yards development, is off to an impressive start with its multidisciplinary arts programming. As part of its initial offerings, I check out the immersive art and performance exhibition “Reich Richter Pärt”, and Icelandic icon Björk’s “sci-fi pop concert” show, “Cornucopia”.
REVIEW: A must-see immersive production of “A Streetcar Named Desire” in Brooklyn
A new, immersive Off-Off-Broadway production of “A Streetcar Named Desire” makes history as the first to feature a genderqueer actor as Blanche DuBois, but that’s only one reason to see this uncensored and visceral take on an American classic, performed mere feet from the audience and loaded with complex and raw performances. A must-see.
"Hadestown" tops the Outer Critics Circle Awards; David Bryne headed to Broadway with "American Utopia"; "My Fair Lady" to close July 7th; "Oklahoma!" and "Tootsie" to tour; City Center Encores! Off Center's "Working" cast announced; "Back to the Future" musical coming to the West End; Andrew Lloyd Webber previews his “Cinderella”; Elton John and Jake Shears working on a Tammy Faye Bakker bio-musical; "The Lion King" welcomes its one hundred millionth audience member; "To Kill a Mockingbird" is the highest grossing American play ever
REVIEWS: “BLKS” and “God Shows Up”
Two new comedies opened Off-Broadway in the last week, Aziza Barnes’ “BLKS” at MCC Theater and Peter Filichia’s “God Shows Up” at the Actors’ Temple; I take a look at each.
"The Ferryman" and "What the Constitution Means to Me" are New York Drama Critics Circle’s best plays; "Carmen Jones" tops the Lortel Awards; Broadway.com "Audience Choice" award nominees; "Jagged Little Pill" books Broadway's Broadhurst; Diane Paulus to direct a 2021 Broadway revival of "1776"; "All My Sons" extends; Vanessa Carlton to make Broadway debut in "Beautiful"; "The Prince of Egypt" to open in London; "Pretty Woman" to tour; Roundabout to present Adam Gwon's musical "Scotland, PA"; RIP Harlan Bengel, David Winters, Terry Allen Kramer, and Dave Bova
REVIEWS: “All My Sons” and “Burn This”
The last two play revivals of the 2018-2019 Broadway season could not be more different in the success of their execution. Here I take a look at Roundabout Theatre Company’s sterling production of Arthur Miller’s “All My Sons” (a critic’s pick!), and the abysmal revival of Lanford Wilson’s “Burn This”.
REVIEW: Astoria Performing Arts Center’s “Caroline, or Change”
Fans of Tony Kushner and Jeanine Tesori’s “Caroline, or Change” who are eager to see this 2003 musical masterpiece on stage should check out the Astoria Performing Arts Center’s ambitious and well-executed production. While the trimmings are simple and the vocal performances vary in quality, the strength of the story still radiates.
REVIEWS: “High Button Shoes” and “Lady in the Dark”
Two recent productions of classic musicals get first-class treatment at New York City Center, Encores! presentation of “High Button Shoes”, which runs through May 12th, and MasterVoices’ concert production of “Lady in the Dark”, which ran for three performances in April.
Tony nominations and Drama Desk nominations; Laura Linney to star in "My Name is Lucy Barton"; "Oklahoma!", "What the Constitution Means to Me", and "Ink" extend; "To Kill a Mockingbird" recoups; "Bandstand" and "The Ferryman" to tour; "Rock of Ages" will return to New World Stages; New York Theatre Workshop season to include a stage version of the film "Sing Street"; "Beetlejuice" and “The Hello Girls” to record cast albums; Moliere in the Park; Rick Lyon's puppets from "Avenue Q" donated to the Smithsonian; Sarah Silverman's memoir "The Bedwetter" is being adapted as a stage musical; RIP Mark Medoff and Jo Loesser
REVIEW: The indignity of “Hillary and Clinton”
Lucas Hnath’s “Hillary and Clinton” is a depressing form of inept and backhanded fan fiction, the very existence of which is irredeemably sexist. Putting the marriage and choices of one of the most accomplished and celebrated women in American history on stage for yet more public scrutiny is an indignity no male politician would ever face. Great performances aside, this inaccurate and intrusive play’s existence on Broadway feels irresponsible as a matter of civic integrity.